Outside fashion shot for sunglasses with extreme styling and flash Part II : let’s talk gear

April 14, 2024/0 Comments/in Visions and technique, blog/by Frank Doorhof

Because size matters

Today Part II from the workshop “working on location in Emmeloord”
In this workshop the challenge is to use not so interesting locations and create awesome shots.
In the previous blogpost we showed set 1 and talked a bit about the gear, today we dive a little bit deeper in the deep reflector.

But first let’s take a look at the setup.
The third set we used during the workshop (set II will follow the next time) was a small house near the beach, this is an interesting location but in all honesty I had the most trouble with this one to create something interesting. But by using the lines in the location and changing my angles of shooting I think we got some interesting looks.

For the images I used our Geekoto GT200 and a large reflector

As you can see this is a pretty large reflector.
And that’s exactly the reason I love using those on location.
The thing is that even with a 200W strobe you are still not “killing” the sun from let’s say 3 meters distance, and when you love those Day2Night shots, or love to shoot HSS you will have to run almost constantly on full power, but even with fill in flash…. ok you get the idea without any reflectors even a 200W hybrid strobe with HSS is not perfect for all day Day2Night photography

However as soon as we start to add light shapers the story becomes different.
When we add a striplight like the Rogue flashbenders or any other brand of course we will actually lose lightoutput compared to the bare strobe.
But luckily we can also add light to the output.
You probably also know from studio use that reflectors can have a huge impact on the lightoutput of your strobes. And the same goes for outside. We are using a Bowens converter to hold our Geekoto and connect the reflector. The reason the reflector is so deep is that it will focus the light more the deeper the reflector (on average, it also depends on the material of course) in usage this can mean the difference between shooting a strobe on 1/3rd power instead of full power, and that is something you really notice.

As an added bonus I love the look of these deeper reflectors, they are not as harsh as some smaller reflectors but they still give a tremendous deep shadow and high contrast. If you order one make sure you also order a grid if that’s available. I’m using a generic brand from AliExpress, if you are shooting with Hensel it’s called the 14″ reflector (which is even larger than this one) and for Elinchrom it’s called the MaxiLight or MaxiSpot. I highly recommend getting one for outside work.

The iPad solution

As you can see in the image I’m using an iPad on location.
I’ve been using MacBooks for years but the disadvantage of a MacBookPro is that they are very fragile on location, they can easily fall down, attract dust like crazy and have loads of opening to collect dirt. Plus they are very expensive to replace or repair.

The iPad on the other hand can be securely fastened to just one stand with the awesome Ulanzi holder (we got so many questions about it that we added it to our webshop).
The nice thing about the iPad is that it will run all day on one charge and the lightoutput is really nice for outside work, as long as there is no direct sunlight hitting the screen of course.

During this workshop I shot wireless to the iPad but in 99% of the cases I’m using an IQwire USBc-USBc 15meter tether cable to shoot to the iPad using CasCable. Ive been using this combination for a while now and it never disappointed me, if something goes wrong the advantage of the iPad is that you just close an app and start it again and it all works fine again. But to be complete I’ve experienced a super smooth workflow so far with little to no problems. This is also the main reason you see me using the iPad more and more during shows, especially with Adobe releasing great updates to their Lightroom and Photoshop apps which makes the iPad a real workstation now a days.

Especially on location you want gear you carry around easily and don’t have to be afraid that something falls down during the hike to the next location.

The results

Ok let’s take a look at the results from the third set during this workshop (next time set 2)

Model/Styling : Nadine
Sunglasses : Sparks
www.fotografie-workshops.nl for the Dutch workshops
www.frankdoorhof.com/shop for my gear

Same background, totally different results

April 3, 2024/0 Comments/in blog, Visions and technique/by Frank Doorhof

Maximize your results with this simple technique

When you shoot for a client, delivering different options is always interesting and smart.
But different options take time, right? In this blog the same background and totally different results

Well not exactly.

Be smart with your setups.

For this example, I’m using a white background.
In the front, I’m using the Rogue black umbrella with a sleeve aimed straight at our model.
The backdrop is white seamless.

You probably already know about the inverse square law, meaning light falls off over the distance.
A great way to use this is to control your background.

I’m using the white background for my first shot in this setup.
This one was shot with one Rogue umbrella in the background and one Rogue umbrella on the front.

You can already see a very slight light fall-off in the background, which can be solved by using a second umbrella on the other side of course as explained in the previous blog posts.

But what if you just take away the umbrella(s)

As you can see the background now turns grey and you can add some extreme vignetting in Lightroom or Photoshop (or your favorite editor) for a completely different look.

Change the distance for total control (different results)

Using the inverse square law you can change the luminance of the background very easily.
You actually have 2 options.

you can change the distance from the main light to your model.
Move it closer to the model and the background will become darker.
Move it further away from your model and the background will become lighter.
Move your model forward to get the background darker
Move your model towards the background and the background will become lighter.

Of course, you have to re-meter the light when you change the distance between your model and your background.

Explained wrong

I just wanted to add an extra note to this blog post.
I’ve seen several videos and articles that claim that the light halves when doubling the distance, this is however wrong.
The name already gives you the answer in fact.

“The intensity of the light is inversely proportional to the square of the distance”
meaning in simple turns that for every doubling you lose about 75% of your light.

In usable terms.
Place your light really close to your model and the light will fall off incredibly fast. Place it further away from your model and more of the set and model will be lit and the light fall-off will be smoother.

Conclusion using the same background and getting different results

When you have to shoot with certain setups always check if you can also get usable results by turning off/on certain strobes.
You might surprise yourself when you start testing this, it can be done in much more situations than you might think.

Read the post about poses and the white background

see more pictures Frank made with the Umbrella on the RogueFlash website

check out the Digital Classroom about Umbrellas

Have fun with the wide-angle option on your iPhone or other smartphone

March 31, 2024/0 Comments/in blog, Visions and technique/by Frank Doorhof

The Wide Angle lens on your iPhone

The wide angle is probably one of the most fun lenses. Period. yes i mean the Wide Angle Lens on your iPhone

That might be a very strong expression, but the wide angle is undoubtedly one of those lenses you can have a lot of fun with.
So for today’s blog post I decided to take some wide-angle shots while walking in the forest with Chewie.

The way it was intended… right?

Most of the time we use it just to get a wider view, and let’s be honest, it does really make a difference.

However, for me one of the cool things about the wide angle is not that it just gives you more of the scene. But the way the wide angle distorts.
Now normally distortion is of course a bad word (unless you play guitar :D) but you can also use it creatively.

For example, what about just holding your phone really close to a tree and just aiming it up? The trees will look huge and if you bump the contrast you get some really cool results.

Now it’s also sometimes cool to use the wide angle to include your own feet.
Think about the start of a big hike, or maybe you like a sign that you find on your route and you want to spice the shot up a bit. Why not switch to the wide angle and include your feet?

Now talking about signs and angles

Those are actually awesome for the wide angle.
But don’t just shoot them straight on. Try different “funky” angles! Shoot them top down, or just sit on the floor and shoot up.
Signs are great for this, especially with street photography I love to shoot street signs this way. (although they mostly from the bottom up of course).

Shooting my pet with a wide-angle

Of course, when walking with Chewie we also had to take some shots of him with the wide angle.
Now you can take a little bit of a distance and it will just appear Chewie has a really big head.

But it becomes so much fun when you get REALLY close up and personal.
Just beware that your phone doesn’t end up as a snack.

Cool selfies

Now I’m not going to lie, because I want to use the wide angle I can’t see the screen. So the following shots are 99% luck. But when you try enough times you will get some really unique selfies.
Let’s start with the phone on the floor with some leaves in front of it. You can also do this from a higher standpoint of course.

We loved this shot, but it was too easy to get right…. so we decided to throw in Chewie and be a bit more creative with the composition….. It’s not hard to guess, but most images were totally wrong (you can’t see the screen) but when it works… well it’s loads of fun as you can see here.

The wide-angle on your phone is fun

So the next time you use your phone. Use the Wide Angle lens on your iPhone, get close, and take some pictures for more creative shots.
As soon as you start using it you will find that even the most boring things can become really interesting, just due to the distortion and the different angles.

These shots were done with the iPhone 15 pro-Max on the wide-angle setting.
Editing is done in Adobe Lightroom Classic

A few years ago, the Digital Classroom was about Small Spaces and Wide Angles

Rock that Low and Wide Angle Blog about street and travel photography in the UK

Fashion shoot with Nadine, a blog about angles and more

Modelling is also acting, well actually a lot of acting

March 29, 2024/0 Comments/in blog, Visions and technique/by Frank Doorhof

It’s all in the expression and poses and… a lot more

Over the years I’ve photographed many models in various locations and situations.
They range from trade shows on a booth measuring 2×3 mtrs to awesome castles. Modeling is also acting. a model should empathize in the shoot.

One thing I learned is that you can shoot in the most difficult or awesome locations, the model determines how the results will end up.
When I look for models the first thing of course, I look at is how the model looks. I don’t believe in size zero and love to shoot “real” people instead of Barbie dolls.
And that immediately brings us to the most important part.

Acting on 1/2000 of a second

When shooting a film we have several seconds, minutes, or hours to tell a story.
However with photography it’s 1/2000 of a second, well not exactly but you know what I mean right 😀

So one of the most important things for me when looking for models is actually expression, poses, and moving freely/naturally within the light setup.
And trust me this is much more difficult than you might think.
One of the tricks I use is to tell the model she/he should always be able to see the main light even if it’s just in the corner of her/his eyes. This way you will almost always have catchlights in the eyes, which in my opinion are really important. This doesn’t mean the images are not good when there are no catchlights, but in most cases, we want them in the eyes.

During a recent workshop with did some different expressions with our model Claudia.
As you can see these are totally different from just a pretty face on a picture, these really tell a story.

Modeling is acting and storytelling.

What is she thinking about?

It’s not just expression, it’s acting

Of course, it’s not just the expression of your model.
Styling and the whole setting, including your light choice will help to cement your story into the images.
So always experiment with the whole setting.
It doesn’t make any sense to have makeup that is running with a smiling model against a white background doing jumps. But it can work wonders in a moody setting where the model is looking sad (see examples).

Now, of course, there is a time and place for these kinds of shots, and I will not tell you it always works.
Sometimes you need a model that looks …. well like she’s not really there. Some fashion brands love that look. In my opinion, the model in that setting is more a way to demonstrate the clothing and should not take away any attention to the clothing. I like the “lifestyle” photography more where we use the clothing/accessories in settings that give a “feeling” instead of just presenting. But as mentioned before this is 100% up to the client. However, it’s incredibly handy if you can deliver both. And in a lot of cases, this means I will ask my clients if I’m allowed to use our “own” models.

It happened too often that I end up on a trade show or location workshop and have a beautiful model but am bored after the first shoot.
And we have had situations where even a model in jeans and a tank top blew me away and didn’t need anything else.

So the next time you scout your models, maybe go for the ones that are also able to act 😀 Because modeling is also acting!

Check out this video about storytelling

Model Claudia uses seamless paper as a dress

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