Tag Archive for: portraits

Outside fashion shot for sunglasses with extreme styling and flash Part IV : let’s talk backgrounds and angles

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Wow that’s a different…

This is one of the most heard comments when we use extreme differences in the background, especially when the model wears something more eye-catching, or dark/bright.

Chasing the perfect background on location is one of my favourite things. And it’s not always that the most interesting looking background is also the best. It’s great to have a cool background but we don’t always want them to compete with each other. I always try to choose a background that will help my model to pop-out, or disappear into.

This is the 4th part of this blog series and I highly recommend first reading the previous ones.
Let’s talk about the flash
Let’s talk about gear
Let’s talk about storytelling

The forest/beach

One of the things I love about the area we live is the diversity for photography.
Although you see totally different images in this series they are all shot in walking distance from each other, or right next to our studio. And trust me, I’m pretty sure you will have loads of interesting locations near your home, you just have to look with your “photographers-eyes” 🙂

In this case Nadine was wearing a non reflective black outfit (thank you very much) and some cool Sparks red sunglasses.
I didn’t tell you this yet, but during this workshop we also shot some images for our friends from Sparks sunglasses, a cool trendy brand of sunglasses for which we also did the introduction shoot for their new collection. Most of the time I also ask some sample to use during workshops and give our client some extra material which can promote their brand, my work but also the models. A win-win situation.

Anyway.
Because Nadine was wearing black it made it a challenge to shoot against the overcast sky, or against the dark forest.
One could say it’s impossible because you will blow out the sky, or block up the shadows, and with a dark forest the model will disappear.
yes, that could be one way to look at it.
OR….
You use exactly that “problem” and use it to your advantage.

 

The shoot

Here is the setup of the shoot.
I’m using the same Geekoto GT200 with a large reflector.
I love this location for the strong leading lines and the way the model can pose with the bridge parts. Also the two totally different backgrounds by just changing your angle makes this one of my favourite locations to use for workshops and shoots.

I love to shoot from more extreme angles on this location and using a more wider angle gives that really nice “distortion” in the image that draws the viewer towards our models face. I also use this a lot in the studio. Wide angles can be terrible for portraits or even full body shots, but if you use them carefully they can be awesome.

Because the clothing was so dark, Nadine’s legs were getting a lot of light/attention, so when you find yourself in a situation like this, use a grid on your strobe or make the model cover part of the legs, you do want to see some, but not too much light areas in the darker areas of the shot. hope that makes sense.

I decided to actually embrace the dark clothing and use it create some really nice edgy contrast in the shots, add the red sunglasses and some cool poses, and you have a very simple lightsetup, an ok location but some killer shots.

Model/Styling : Nadine
Sunglasses : Sparks

www.fotografie-workshops.nl for the Dutch workshops
www.frankdoorhof.com/shop for my gear

 

Outside fashion shoot for sunglasses with extreme styling and flash Part I

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Outside Fashion Shoot for Sunglasses

Transform something ordinary to awesome!

One of the more challenging workshops is without a doubt “on location in Emmeloord”
During this workshop, I take the attendees with me to locations that at first sight might look incredibly boring. However by using the styling of the model and of course the choice of lighting and shooting angle it becomes clear pretty quickly that even locations that are not that interesting can transform into a great location for shoots. Read more about this outside fashion shoot for sunglasses with extreme styling, part 1.

The reason this workshop is very important is because during most workshops you are shooting in already great locations or nice studio setups.
The thing is, that in reality it hardly ever happens you shoot a client or wedding/event in a castle/urbex/etc location. And also the light is not always perfect. Most of the time we are shooting in office buildings, outside in a forest/dune/city environment, etc. They are not really super inspiring locations.

And that’s the whole deal

In this workshop, I show how easy it is to create interesting photos in not-so-interesting locations. Or let me rephrase those locations that look uninteresting at first sight.

During the workshop I also try to keep the gear as minimalistic as possible, I’m using one of our Geekoto GT200s and a large reflector plus the Rogue Flashbender (Frank Doorhof edition). In the past, we had to carry around rather large battery packs and “large” heads. And I had to shoot on 1/125 because HSS was not supported. Now we are using so-called hybrid strobes which are the perfect marriage between a studio strobe and a speedlight. This combination means I can shoot ETTL and HSS on location (or manual of course) with a nice shallow depth of field if I want it. Or a deeper depth of field if that fits the photo, and shoot a full day with just one battery.  Thanks to the large reflector we had still 10% left in the battery after the whole workshop (5 locations 4 shooters).

By lowering the ambient light you can really make your model pop out, now lower your shooting angle and you can already get much more interesting shots.

In the next blog post, I’ll explain a bit more about the large reflector.
For today let’s take a look at the first setup we did with Nadine. This is just a treeline next to our studio functioning as a border between our studio and the neighbours.

Outside Fashion Shoot

Nadine brought some fake flowers and put them in the trees

Outside Fashion Shoot

In this setup, we also used the Rogue FlashBender XL Pro for a different look.

And the setup with the FlashBender.

In the next blog post I’ll show you the large reflector and explain why it’s awesome for location work.

Outside Fashion Shoot

Model/Styling: Nadine
Sunglasses: Sparks

www.fotografie-workshops.nl for the Dutch workshops
www.frankdoorhof.com/shop for my gear

Use light in different ways for awesome portraits and more

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One of the things we probably all start with are books with lighting diagrams.
Now don’t get me wrong, they are awesome to get a general idea of the lighting setup.
However I strongly believe you should be able to “read the light” by just following the shadows, it’s often not really important to know which light sources are used, as long as you can recreate the look.

We can shoot images with a beauty dish that can very close to a small softbox for example, but when we start to use Fresnell’s you can very quickly see the difference between a reflector and the Fresnell, this is something that you will quickly pickup when you start to look at the shadows and the different way the shadows change.

But then it becomes really interesting when you add the angle into play.
Of course we all know that changing the angle from higher to lower can have a huge impact in your end result, but for me the real game changer was when I started to move around my model. Just a slight movement to left or right can make an image look totally different.

Let’s take a look at some of the images I took of Nadine during a recent workshop.

I’m using our Geekoto GT400 here with the Geekoto small softbox and grid
On the other side I’m using GT400 and the Nanlite striplight with grid.

One of the things I love about a striplight is that you can use it in a lot of different situations where you need to light a large area but don’t want any spill light.
In this case I’m using the striplight angled, this way I lights both my model and the background. By changing the angle of the striplight slightly I can balance the light on the background and the model. A very powerful technique.

By moving just a little but you can create some more powerful portraits.

But sometimes you need a little bit more intensity?
Make it black and white, add some grain and contrast….. “instant art” and yes this one was in focus 😀
(inside joke).

But let’s take one more step to the side and also include the striplight.
Now this one won’t be the shot you like or even want to try, but sometimes clients want something a bit different. And it’s just one step more to the side. Always try it.

If you have any questions, feel free to reach out.
We really appreciate a share on social media.

Successful portraits workshops

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One of the workshops I teach is called “Succesvolle portretten” or in English “Successful portraits”.
In this workshop I give (as the name suggests) a lot of attention to shooting a portrait.
For me a portrait is much more than “just a headshot” although there is a section on the headshot, which of course is a very vital and important part of most successful studios.

 

The main thing about this workshop is that we don’t work with professional models…. I use the attendees of the workshops as my models, and also let them shoot each other, because in my opinion it’s very important to experience what it is like to be in front of the camera before you can successfully stand behind it for a good portrait.

 

A good portrait for me shows the character of the person in front of the camera, with model/fashion/glamour etc. photography you can get away with letting your model “act” but with portraits I always want something more, a little bit of the soul of the person in front of your lens so to say, so making sure your subject is at ease before and during the shoot is important. To make sure that you get them at ease, it’s very helpful that you have been in that situation yourself.

 

After some more serious techniques and setups I always try to play around a bit with the group creating what I call “a semi avatar”.
In this part I try to get some more humor in the shots so to say. Today I’m gonna show some of these shots from the last workshop “Successful portraits” and remember these are not models just people that probably “hate” to be photographed 😀

Succesvolle portretten May 15 2015 0162

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