A kind of different product photography, shots from guitar pedals

February 23, 2024/in blog, Visions and technique/by Frank Doorhof

A kind of different product photography, shots from guitar pedals

Most of the posts we do online are from model photography. But product photography is also one of the services we offer our clients. Most of the time, the model shots are however a lot more interesting to post. But sometimes we also show you some of the products we shoot, when it’s special.

Hobby vs business

I always say I’m a lucky guy, every day I can do what I love most, create images. But sometimes I’m double so lucky when I can combine two of my passions.

I’ve known RJ-amps for a few years now and he can do wonders with tube amps but also builds great guitar pedals. When I brought my amp in I got two brand new pedals to play with which will be released later this year. And of course…. and he knows that…. I couldn’t resist to take some images.

Now we also took some of the more boring white backgrounds but when we do product shoots I also always like to add some “special set” shots. With handbags for example. We build a small set fitting the brand and took some shots in there, with fancy lighting. In most cases, we do this for free (and fun) but clients often end up using those images also.

How I shot this product, the guitar pedals

For this series I decided to shoot it at home with a combination of a Lumecube with a snoot and two Nanlite led tubes on the side.
The challenge was to get the Lumecube in exactly the right place, but luckily we could use the K&F concept tripod I’m using for my iPhone video setup. This is an awesome tripod because it can act as a boom arm, making it ideal for shoots like this or using phones in video setups.

Here is the behind-the-scenes setup for both pedals.

A little bit of set styling

The reason I shot this at home was mainly because it was the best location 😀
This is the area where I create my music and also host live streams when I do seminars for clubs or Digital Classroom episodes without live shoots.

I love the carpet here (somehow most guitarists seem to love them) so I wanted to use that as my “base”
Because it’s a pedal I chose this vintage-looking amp because it’s pretty neutral-looking and stands close to the floor. So there is no problem fitting it in the frame.

Of course, you also need a guitar. Here I chose a custom-built guitar for the nice wood look which I think works great with the color of the amp and the carpet. Also, the finish has a very high gloss which makes it harder to light. But the effect when done right makes it possible to use just a little bit of light to see some details.

For some “fill,” I used my favorite-looking microphone, a nice Marantz Ribbon mic.

Lighting

As mentioned I’m using the Lumecube with a snoot and two Nanlites tubes on the left and right.
I love using accents with red and blue because both are on the same axis in the colorspace they blend together really nicely and both are also the so-called “emotion” colors so for me personally it’s a combination I use a lot.

Placing the lights is vital if you want details in the guitar without getting too much glare. However, around the edges, I did want just a little bit of reflection making the guitar stand out. After finding the right spot you can fine-tune the spread by just turning the tube very slowly and keep looking through your camera.

Ok… let’s show the results.
I did use just a little bit of BorisFX for special effects.
Get a 15% discount on BorisFX by using our link.

PS: if you like this blog about product photography (from guitar pedals), let me know! Find me on social media.

A set built with isolation blankets for… zero

January 12, 2024/in Visions and technique, blog/by Frank Doorhof

A set built with isolation blankets?
Why not?

Today in the blog some images we shot with our model Trista during a recent workshop.
We recently had the studio roof replaced and of course, that also meant that we have some stuff left, including some isolation blankets.
The moment we saw them we knew we had to do something with them.
We have already built sets with rescue blankets (gold/silver) but these were a lot larger. And in the end, in all honesty, it just didn’t work in this set. But I think they would be awesome as a background for portraits, so I think you will see them again in the future.

Let first, start with the initial setup. We used our movable walls and taped the isolation blankets to it.

As you can see the set is far from perfect, but somehow it also works.
Here I’m using the mirror to mirror the legs and the accent lights, I talk a lot about walking around the model to get a different kind of contrast, here you can clearly see what the angle does on the legs, this is not photoshoped 😀

Of course after that I oped for more close ups, mainly because I didn’t like the set for full bodies.

This I liked a bit better, but I also tried one from the back.
And to be honest I’m still in doubt between the two which one I like most.

Angles, angles and again angles….

And as usual, always try different angles.
I can’t tell you guys enough how much impact the shooting angle can have, not only in lighting but also with the total way the image looks.
Lower angles will often give a “hero” feel, where higher angles sometimes give a really cool effect.

Adding some color….
Or a lot

After the “standard” setup I opted for a lot more red in the scene.

Now be warned, these images are far from the run of the mill images, but sometimes I just love to go to the extreme sides.
In this case I opened the aperture a lot (to the point of overexposing) just maintaining the highlights in the skin, I didn’t want the skin to overexpose, this often looks awful in color shots, the only thing you could do is convert it to black and white where we are often a bit more forgiving for overexposure. But best is to keep it just below overexpose on the skin, you can always go to black and white later if you want.

Im adding a Rogue omnidirectional dome here with a magenta gel, and although I’m still using the mainlight the red really overpowers everything giving it a totally different vibe.

As you can see by just adding some color you can change the look of our set built with isolation blankets completely. Just make sure the model covers up for certain angles.

Feel free to reach out with questions.
A like and share on social media is highly appreciated.

Check out the short about the rescue blankets

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Some colourful lights in the set

January 10, 2024/in blog, Visions and technique/by Frank Doorhof

Adding continuous lighting is always fun

In todays blog post some images we shot during a workshop with out model Trista.
I’m using a mix of strobes and continuous lighting here.

Due to the reflective floor (plexiglas) and the mirror the angles under which you can shoot are slightly limited.
I loved this angle because it adds a bit to the story telling part of the shot.

Hope you like the results.
The set it build with isolation blankets we had left from our new roof instalment.
A good set doesn’t have to be expensive 😀

Over time you will collect things that you can always combine during photoshoot. Some people will decorate their whole house with little sets, in our case we just collect a lot of “junk” at flea markets, attics etc. we are always interested in things we can someday use. The only problem is room.

Always try to see possibilities, like in this set we used the isolation blankets. There were just laying around so why not use them.
I’m pretty sure you have a lot of stuff in your home that would make awesome set pieces.

Build a set for less than $10 and use it many different ways…. yeah I’m Dutch

January 8, 2024/in blog, Visions and technique/by Frank Doorhof

Of course I would love to spend thousands on elaborate sets but let’s be honest, we can’t.
So it became a challenge to do everything as cheap as possible and maximise the use.
And I think we broke all records with this one.

A while ago you probably saw the blog post about the set we build with rescue blankets, well those blankets also have a silver side.
So today in the blog the results from a recent workshop with our model and awesome stylist Nadine.

During the workshop I gave the attendees a simple, assignment.
This is the set, go crazy.
you have 10 minutes.

Of course I had to put my money where my mouth is, so after the 10 minutes I also did a try.
All the shots you see now are shot within that time frame, if you deduct the explanation of course.

I started relatively simple.

Here I’m using a Geekoto GT400 with the Nanlite Fresnell lens.
The Fresnell has quickly become my favourite light modifier for high contrast images.
I did use Fresnells in the past but hardly during workshops, they were simply put too expensive and I love to teach setups that you can also recreate yourself without breaking the bank. But the Nanlite Fresnell has a super friendly price, so I’ve been using a lot now 😀

Now in this shot you only see one light, but on the side there is a Geekoto GT250 with a rogue omnidirectional dome.
As soon as I turn that one on I have my second set, which as you probably agree upon is “a bit” different.

But because 10 minutes is actually a lot of time we moved the strobe to the backside of the set and aimed it down.
I’m now using a slight magenta coloured gel under the dome, the reason I’m using magenta is that with the tinting later on it will give me a nice “reddish” tint.
You can also use a red gel but after tinting it this way it could be a bit too much and clip some red.

From this point on I just started experimenting with the output of the gel and under which angle I shot.
Also getting slightly closer to Nadine and using the wide angle to enhance the position of the legs.

It’s always a cool effect to use a wide angle and let the model point her toes towards the camera.

Of course the exposure you meter with a light meter is the “perfect” exposure, but sometimes it’s not the “perfect” exposure you want in your images.
In these images I loved the darker look you see above, but what if…. you just open the aperture and add a lot of extra spread on the background by changing the angle of that strobe.

Indeed without changing a lot you can have a totally different look

But we are not done yet with our challenge.
Now that I like the total look, I’m ready for some close ups.

Angles change everything

And because I’m standing now anyway, let’s throw in a higher angle and a really low one.
Using different angles are without a doubt one of the easiest, quickest and best way to totally change the look and feel of a shot.
As you can see here, the impact is pretty obvious.
Also because I’m shooting into the light in the lower angle shot the KF concept Black diffusion filter really does it’s work.

Adding lights that are not strobes

As you can probably see there are some lights in the Chrismas tree, but so far I have to yet turned them on.
The simple reason was that I didn’t like them in this set, but because we had a few seconds left, we decided to turn them on.
The only thing you have to keep in mind is that when you shoot with strobes you are shooting with a lot of light and a pulse, so as long as you stay below 1/125 there is no problem in the studio (we call this the X-sync).

Because the Christmas lights are very low in output, I had to lower the output of the strobes (you can quickly do this via the remote control) and turn on the lights. Now you can use the shutter speed to let in more or less of the continuous light, the flash will stay the same (turn of your modelling lights) but the Christmas lights will show up more intense the longer the shutter speed.

We ended up with this shot.

As you can see it’s possible to shoot a lot of different looks from one set.
Just make sure you setup everything in advance so during the shoot you can quickly change things around.
For me this often means I’m using the same mainlight. But will change my accent lights around a lot, sometimes just via the remote control, but also position wise, and of course walk around my model a lot.

1o minutes really is a long time if you set everything up correctly.
But preparation is key. When the model is not yet on the set your whole idea should be in your head, and tested.
This will keep the model interested and fresh. and in the end your client happier.

Feel free to reach out with questions.
We really appreciate a share on social media.

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