Archive for category Visions and technique

Trailer for Mastering the model shoot : the light meter

This week we released our new video called “Mastering the model shoot : the light meter”
If you did not already downloaded it because you were curious to see what kind of video it is?
Well here is the trailer, and if you have any questions feel free to ask.

Difference between strobes and constant in the same set

During the glamour workshop from this weekend we worked with a set and two different light sources.
In the first image you see I used an Elinchrom strobe with the varistar reflector aimed at the ceiling, in the second image the only light we used was from the chandelier which is hanging about the set.

 

Both are slightly different tinted fitting the mood I wanted for each image.
As you can see, both light sources render the light completely different, my personal favorite is often the tungsten light source, especially when we are working with a set, but as I always say, make sure that you shoot both options, at least you have something to choose from, plus… with strobes you have a lot more power meaning I can shoot with faster shutter speeds and more depth of field, the tungsten shots I had to take from the tripod because I needed to stay at ISO200 (shooting it with the Leaf Credo60).

 

Lenaa  31 - January 17 2015

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Tip about locations in the studio with props

To spice up a shoot you don’t always have to go to a stunning location, sometimes you can bring the location to your studio…. well at least part of the location.
In this case we used an old window as a prop, the model is behind it and the light is falling through the window, I added some waterdrops to make the scene a bit more interesting…..

 

Now the first thing people ask me is “How do you get these props”
The answer is very very simple, just go to your local scrapyard, offer some posters in exchange or pay what they ask, often it’s very cheap because we actually go for the rundown (real scrap) material. You can also of course make a deal that you can bring stuff back and get new props.

 

Lenaa Juni 20 2014 116
One extra tip… DON’T LET THE MAID CLEAN THE WINDOW :)

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New instructional video “The light meter”

You probably already saw it on social media, but I also want to give some attention to it on my blog of course.

why and how to use a lightmeter

This week saw the release of my brand new instructional video “Mastering the model shoot : the light meter”
A lot of people have asked me when I would make a new instructional video series in the style of the very populair “Light” series, my answer was always that I would make a new video as soon as I had a lot of information that I did not already share on other videos, because just like you I don’t like to spend money on something I already saw.

 

After the release of my book “Mastering the model shoot” and the workshops connected to the book I got so many ideas and I still got a lot of stuff that did not make the book (there is limit to the amount of pages :D) that I decided now would be the time to release a brand new series of instructional videos.

 

Everything is new.
We have a new approach to filming, we now film everything in 4K for extra quality (videos are presented in 1080P) and we use different camera angles, text will appear on screen to explain the more difficult parts, and all videos will cover different topics so you can buy the ones you like and are not forced to pay for something you don’t like (although I think they are all more than worth it of course).

 

The first video is called “Mastering the model shoot : the light meter”
In digital photography this is without a doubt one of the most talked about topics and to be honest you also hear a lot of stuff that is, now how to say this nicely, well….. not really helping (was that ok?).

 

In over 70 minutes I take you through everything you need to know about the light meter, topics include :
* reading the meter
* which meter to buy
* reflective vs incident
* where to aim the meter
* how to calibrate the meter
* working with strobes
* working with ambient
* mixing strobes and ambient
* working with white backgrounds and black
* how to keep detail in the blacks with a technique called light in light (and how to meter it)
* histogram vs the meter
* how to trigger the meter
* apps and film
* and much more……

I’m joined in the studio by our model Manon and next to the explanation on the meter we will also show you in easy to follow (and copy) examples. This is a very complete video on the light meter and I’m sure you will run out and buy one if you don’t already have one, or understand your meter beter if you already own one.

 

The video is priced at EU 29.95 (US app 35.00) and can be ordere via our webstore or via the direct link here :
http://www.frankdoorhof.com/site/shop-videos-etc/direct-video-downloads/

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Tethertools cable example

Loads of people ask me why they should use the Tethertools cables instead of standard USB cables that are often 10-20% cheaper.

 

I’ve shot for years with standard USB cables and normally it would work, but especially with longer runs and when the files got bigger it happened a lot that sometimes it felt like the buffer was “stuck” if you would leave the camera for a few seconds (10-20) it would often work again but it was not smooth.

 
When I switched to Tethertools I never experienced this stuck buffer anymore. Lightroom still sometimes just drops the connection but this a problem some people have experienced since version 5.x and is easily solved by restarting the tethering option.

 

A better tethering solution is Capture One which is literally build for Tethering and RAW conversion (use AMBDOORHOF for a cool discount on buying Capture One).

 

So why is the Tethertools cable better…
Because images tell everything, here is a shot with a normal standard USB cable and the Tethertools Orange cable, I think it’s pretty obvious.

attachment

For European customers visit www.tethertools.eu for US customers www.tethertools.com

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Small flash and the sun

Tip:
Small flash is often regarded as “not powerful enough” but this is not true. Compared to the big strobes it might look that way however with the small flash system you can use something called HSS (High-Speed-Sync) and that makes it possible to shoot on much higher shutter speeds than with for example studio strobes or battery powered solutions.

Nadine buiten Oktober 31 2014  28 - October 31 2014

 

There are limitations.
Because the strobe “strobes” you will find that the light output is much less, but this is often countered by the higher-shutterspeed, but also recycling is much slower.You can of course add 2 strobes together for 1 stop more (add 2 more for another stop).

 

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Webinar X-rite MacPhun

Webinars are always fun to do especially when there are no rules :D
In this blog post you can find the webinar I did for X-rite and MacPhun about “Portraits with power”
And of course some of the end results.

 

You can find the webinar here:

 

Anna Matthea December 10 2014 0267

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