Archive for category Visions and technique

Adding the sun

Modelphotography on location is always a nice thing to do, you can play not only with styling and posing but also with the available light, and this can give you some amazing shots. One of the things I love to do is find the sun in the frame, adding a little bit of strobe on the model to boost the contrast and let the model stand out and you have a formula for a shot that a lot of people like.

 

It does help to use a modifier like the Elinchrom maxi light that will give you some extra light output, because winning from the sun…. well that’s rather difficult.
Let me first share a version without the sun.

Enka workshops Augustus 15 2014    94

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Going from ok tot WOW

One of the most important things for me is story telling.
Without a little bit of story telling a shot is not 100% done for me.
Now story telling can be in a good expression, but also in something more extreme.
In yesterdays blogpost I showed a huge change in changing angles, but as you can see the image gets way more interesting when we add a small prop…. in this case an old gas mask, and the pose helps a lot of course.

Enka workshops Augustus 15 2014    144

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Changing your angle can have a huge impact

I tell this many times during the workshops but choosing the right angle is very important.
A lot of people will be familiar by the effect that moving the light source has, however often one forgets that when you move around yourself the effect is actually the “same”. On location this can be an a very powerful tool as you can see in the examples today.

 

First we see the image shot from the front.

Enka workshops Augustus 15 2014    121

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Using backlighting and metering tip

Often light is coming from the front or the side, however it can be very interesting to use light from the back.
Now how do you meter something like this?
In fact it’s very simple.
An incident light meter will meter the light falling on the subject and give you the correct reading, if you put that value in your camera you’re subject will be properly lit. Now a lot of people tell you different things about light meters, ranging from “you don’t need one” to ….. well let’s put it this way a lot of confusion is caused.

 

Trust me when I tell you that a light meter is just a tool, it gives you a way to very quickly get a proper exposure and it’s not hard to use. As you can see in these examples I metered the front of the face of the models and put that exposure in the camera, the only light source used is an Elinchrom Ranger behind the model, so the “scatter light” actually lights the model and is metered. In a studio environment it will often (99.9%) means you’re metering towards the light source, but as you see with this setup I now actually metered towards the camera. Just remember that you hold the meter in front of the area you want to be correct and meter “the light” that is hitting THAT area, it can be the strobe straight on, but also scatter light or ambient light.

 

Enka workshops Augustus 15 2014    199

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Using reflections

One of the things that’s always a guarantee for a good shot (or an interesting shot) is using reflections.
Reflections can be seen in many surfaces, but also in water of course.
So when you’re shooting in a location where you see some pools of water make sure to figure out a way to use it in at least some of your shots.
Enka workshops Augustus 15 2014    33

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Top of Denmark

One of the things I absolutely love to do when traveling is finding places that are a bit “weird” or different. And in Denmark we wanted to visit two of these sites, the first is a lighthouse that was captured by sand (later more on this) and one was the absolute top of Denmark called Skagen. This is where both the Skagerrak and Kattegat come together, this gives a very dangerous situation and this is why swimming is not allowed in this area.

 

When you arrive in the location there is a huge parking and a small tractor bringing you to the point…. we of course decided to walk, it was only 500mtrs…. well that must have been the longest 500 mtrs ever, but we are used to walking so it was more than doable but if you are a bit less fit make sure to take the tractor, walking through the sand is pretty heavy.

 

On the way to the destination you pass some old bunkers, which of course also are interesting to visit, but that’s not why we where here, but I of course had to take some quick snaps :D

Denemarken Augustus 7 2014  16

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Using masks

The face is an incredibly important part of a shoot, it’s where we get the expressions from, and of course it’s the first thing we look at.
So we have to make sure the face is always correctly lit and visible, right?

 

 

Well most of the times yes, but sometimes it can be very nice to play a bit with masks.
The nice thing is that first of all the mask itself will have some form of expression, but the thing that really draws me towards the use of masks is the way some of them respond to the light and what’s also very obvious is that when the model wears a mask she/he will have to work more with the body to create the look/expression you want, and this can give some interesting shots especially when you start combining it with some harsh shadows.

 

In this blogpost some images I shot with Anna during a webinar last week.

Anna Juli 16 2014 Webinar C1 B (1 of 2)

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