Archive for category Visions and technique

Westcott Ice Light video

A while ago I got the chance to test out the Westcott Ice Light.
For me it’s a wonderful teaching tool to really show what light does, but combined with the barndoors it’s also an amazing light source.


In this episode of “Quite Frankly” I show you some technique for using constant light during a photoshoot.

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A tip that can save you a lot of money

A tip for all kind of photographers


We all love to share images online right?
We all like to show off where we are, or our new pride and joy.
And of course we are all careful to not include our address so the thieves will not know where we are right?
Did you know that when you post an image online made with your smartphone OR certain DSLR’s or compacts all store GPS information in your EXIF?



So although you’re very careful about not telling the thieves where to find your gear or new car you are in fact giving them a road map on how to get there including directions…..


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Outside with small flash using the sun

One of the things that I love to do is including the sun in the frame.
Often photographers are afraid to do this, for…. well I don’t know.
During the small flash workshop we always try to do one set outside to create something that a lot of people think is not possible with the small flash system, a day to night scene.


The nice thing about small flash is that there is an option where you can use something called “HSS” High Speed Sync.
With this option you can shoot on higher shutter speeds than with studio strobes (which are almost always limited to 1/125), meaning it gets easier to “push away” the ambient light.


By adding two strobes together you get 1 stop more of power plus recycling etc. is much faster.
The following shots were done with this technique during the small flash workshop.

Nadine buiten Oktober 31 2014  28 - October 31 2014

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Small flash from the side.

Light from the side can be incredibly powerful.
Here, during the small flash workshop, I used a bare strobe to light Nadine, by using the zoom function you can tailor the light beam hitting the model just the way you like it.

Nadine Oktober 31 2014  6 - October 31 2014

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New class on KelbyOne

During our stay in Las Vegas for PhotoshopWorld we filmed a new class for KelbyOne in the series : The inspiration series.
It’s an 1 hour class in which I tell you everything that drives me in my work (and personal life).
You can find the class here :


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Shoot silhouettes sometimes

Often people ask me what to look for when shooting models with shadows.
The answer is very simple “make sure that the shadow is part of the story”
In other words I don’t want a big blob of a shadow behind my model but a nicely featured shadow that actually also plays a role in the shot, or in again other words, the shadow is a vital part of the shot.


So how can you “train” this.
Very simple.
Start to experiment with some silhouettes and learn what a model can do, by moving her arms away from her body she creates a certain look, when everything is connected to the body she creates just a big black “blob”.


In this shot I used a white background with a small strobe with grid and nothing in the front.
I asked Nadine to create several dramatic poses and especially play with the position of her arms and keep her head/face in profile so you can see that she is a real person.

Nadine October 12 2014 0057-Edit

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Move around your light

One of the best tips I can give people is “move around your light”
Every time I show this very simple technique during workshops there is always a group of students that is literally totally surprised by the effects you can create by just moving around your model. What you are actually doing is the same as moving around your light source, but when you combine it with a wall against which the model is posing you can get some stunning effects very fast.


In this setup I’m using one strobe aimed at my model.
In the first shot you see it shot from the front.

Nadine October 12 2014 0149-Edit

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